Every classic film look, with the camera settings that copy it.
Every roll of film handled light differently — some warm and forgiving, some cool and crisp, some with grain you can see. Photographers still chase those looks today.
Tap any stock to see how it treated white balance, contrast and colour — and the numbers your camera needs to copy it. Use it when you know the feel you want but not the settings: “something like Kodak Portra”, “black and white like an old documentary”.
These are starting points, not rules. Change one number at a time and keep what you like.