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C1 keeps a documentary grey look ready for flat, overcast city days.
C1 for bright daylight outings — punchy sun-and-sea colour straight off the card.
C3 is the low-light slot; rain and streetlamps need the lifted shadows already dialled in.
C3 for after dark — cool, crushed night look you can switch to instantly at blue hour.
C2 is the warm-light slot — set it before sunset so you don't miss the 20-minute window.
C3 handles mixed tungsten and sodium light underground where AWB drifts.
C1 for bright holiday daylight — pastel Fuji colour ready by default.
C2 for sun-baked warmth: terracotta and afternoon light without re-dialling shift.
C3 is the indoor/tungsten slot — 3200K is preset so you can shoot the moment you step inside.
C1 covers soft daylight indoors; it's close enough to your neutral base to stay the default.
C3 for dim interiors after dark — warm lamp light with contrast already set.
Use C2 on the PEN as your night dial; keep C1 free for everyday daylight settings.
C4 is reserved for monochrome, so you can flip to black & white without losing your colour settings.
C4 keeps all black & white together — one switch for a full mono shooting session.
C4 stays mono; park this here for grey, rainy days when colour adds nothing.